网友评分345人已评分

9.0

 剧情简介
星空影视第一时间收录《欧洲的某个地方》并提供免费在线观看。《欧洲的某个地方》上映于 1948年,是一部其它制片出品,由Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki等主演的剧情片,对白语言为其它。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.星空影视不参与《欧洲的某个地方》的影视资源制作、录制、上传与存储,当前播放线路分别由网络资源网采集。有关《欧洲的某个地方》的后续高清完整版本资源会陆续放出,敬请关注。

如果您喜欢 星空影视(www.shadt.com)欢迎分享给身边的朋友,祝您观影愉快!
 推荐视频

力王之真正敌人

樊少皇 陈观泰 任港秀 陈观泰 Kuan Tai Chen

萌妹特攻队

许佳琪 谢蕾蕾 李梓 姜杉

谁是最爱

黄和兴 袁兴哲

我们所拥有的一切2016

伊芙·林德利 理查德·坎德 马克·康苏斯 凯瑟琳·雷斯 欧迪瑟亚斯·乔治亚迪斯 朱迪·格雷尔 蒂姆·马卡姆 理查德·彼得罗切利 奥什·加尼马 迈克尔·卡瓦迪亚斯 凯蒂·霍尔姆斯 洛丽塔·佛斯特 希芳·法隆 斯蒂芬妮娅·欧文 卢克·威尔逊

荒野重生

王君 章廷军 文天艺 李依晨 汪容 何霏 朝政

大鱼2003

伊万·麦克格雷格 阿尔伯特·芬尼 比利·克鲁德普 杰西卡·兰格 海伦娜·伯翰·卡特 艾莉森·洛曼 罗伯特·吉尔劳姆 玛丽昂·歌迪亚 马修·麦克格罗里 大卫·丹曼 米西·派勒 卢顿·万恩怀特三世 艾达·泰 艾伦妮·泰 史蒂夫·布西密 丹尼·德维托 迪普·罗伊 海利·安妮·内尔森

一年,一夜

纳威尔·佩雷兹·毕斯卡亚特 诺米·梅兰特 基姆·古铁雷斯 阿尔巴·吉莱拉 纳塔利娅·德·莫利纳 C·谭嘎纳 恩里克·奥克尔 布兰卡·阿皮兰兹 布鲁诺·托德契尼 索非·布鲁斯特尔

天涯明月刀

狄龙 罗烈 井莉 恬妮 谷峰

 相关资讯